POINT OF VIEW

The Harvest Song
As it was, Ben ate his roast beef to–night with a serene sense of having stolen nothing more than a few peas and beans as seed for his garden since the last harvest supper, and felt warranted in thinking that Alick’s suspicious eye, for ever upon him, was an injury to his innocence.
But now the roast beef was finished and the cloth was drawn, leaving a fair large deal table for the bright drinking–cans, and the foaming brown jugs, and the bright brass candlesticks, pleasant to behold. Now, the great ceremony of the evening was to begin—the harvest–song, in which every man must join. He might be in tune, if he liked to be singular, but he must not sit with closed lips. The movement was obliged to be in triple time; the rest was ad libitum.
As to the origin of this song—whether it came in its actual state from the brain of a single rhapsodist, or was gradually perfected by a school or succession of rhapsodists, I am ignorant. There is a stamp of unity, of individual genius upon it, which inclines me to the former hypothesis, though I am not blind to the consideration that this unity may rather have arisen from that consensus of many minds which was a condition of primitive thought, foreign to our modern consciousness. Some will perhaps think that they detect in the first quatrain an indication of a lost line, which later rhapsodists, failing in imaginative vigor, have supplied by the feeble device of iteration. Others, however, may rather maintain that this very iteration is an original felicity, to which none but the most prosaic minds can be insensible.
The ceremony connected with the song was a drinking ceremony. (That is perhaps a painful fact, but then, you know, we cannot reform our forefathers.) During the first and second quatrain, sung decidedly forte, no can was filled.
Here’s a health unto our master,
The founder of the feast;
Here’s a health unto our master
And to our mistress!
And may his doings prosper,
Whate’er he takes in hand,
For we are all his servants,
And are at his command.
But now, immediately before the third quatrain or chorus, sung fortissimo, with emphatic raps of the table, which gave the effect of cymbals and drum together, Alick’s can was filled, and he was bound to empty it before the chorus ceased.
Then drink, boys, drink!
And see ye do not spill,
For if ye do, ye shall drink two,
For ’tis our master’s will.
When Alick had gone successfully through this test of steady– handed manliness, it was the turn of old Kester, at his right hand—and so on, till every man had drunk his initiatory pint under the stimulus of the chorus. Tom Saft—the rogue—took care to spill a little by accident; but Mrs. Poyser (too officiously, Tom thought) interfered to prevent the exaction of the penalty.
To any listener outside the door it would have been the reverse of obvious why the “Drink, boys, drink!” should have such an immediate and often–repeated encore; but once entered, he would have seen that all faces were at present sober, and most of them serious—it was the regular and respectable thing for those excellent farm–labourers to do, as much as for elegant ladies and gentlemen to smirk and bow over their wine–glasses. Bartle Massey, whose ears were rather sensitive, had gone out to see what sort of evening it was at an early stage in the ceremony, and had not finished his contemplation until a silence of five minutes declared that “Drink, boys, drink!” was not likely to begin again for the next twelvemonth. Much to the regret of the boys and Totty: on them the stillness fell rather flat, after that glorious thumping of the table, towards which Totty, seated on her father’s knee, contributed with her small might and small fist.
Meanwhile the conversation at the head of the table had taken a political turn. Mr. Craig was not above talking politics occasionally, though he piqued himself rather on a wise insight than on specific information. He saw so far beyond the mere facts of a case that really it was superfluous to know them.
“I’m no reader o’ the paper myself,” he observed to–night, as he filled his pipe, “though I might read it fast enough if I liked…”
from Book 6, Chapter 53 (“The Harvest Supper”) of
Adam Bede,
by the great 19th century British novelist George Eliot,
psuedonym of Marian Evans.